James reviews the world’s newest color film from the makers of Ilford black-and-white film, Harman Phoenix 200.
read moreA three-minute read containing everything you need to know about the launch of Harman’s brand new color film, Phoenix 200.
read moreJames shoots a fifty year old roll of Kodak Panatomic X, a fine grain, low speed black and white film.
read moreFILM Ferrania’s newest film is here, and today’s guest author Daler Fergani kindly shares their experience shooting it.
read moreJim Graves previews Analogue Wonderlands new branded film, WonderPan 400, a black and white film meant to be pushed!
read moreJames stands in the Gulf of Mexico, gets sun poisoning, and shoots the new color film from ORWO, Wolfen NC500.
read moreKodak Portra is getting expensive. In today’s article, Sarah Rizzo helpfully lists five alternatives to the most popular 35mm color film.
read moreJames reviews Nikon’s most exotic, enticing (and expensive) point and shoot 35mm film camera, the Nikon 28Ti.
read moreDanielle profiles Lomography Lomochrome Purple, a trippy and mesmerizing film that creates incredible worlds of color.
read moreIn the era of ever-dwindling color film options, it’s nice to see new options emerging. Here’s one, Santacolor, a new film now crowdfunding.
read moreThere’s a whole new generation of would-be film photographers who want to explore their creative side by shooting film. In this article we’re answering the first question that most new shooters ask – Which camera should I buy?
read moreJames shoots and reviews a couple of rolls of Lomography Fantome, an ultra-low ISO black and white 35mm film.
read moreAfter seven years of shooting classic cameras, we’ve compiled our list of the ten best electronic SLRs of all time.
read moreSroyon is here with another thorough film review, this time focusing on Argenti Nanotomic X, a respooled microfilm for 35mm cameras.
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