German

Shooting one of the first 28mm lenses, the Enna Ultra-Lithagon 

1920 1080 Cheyenne Morrison

Cheyenne reviews the Enna-Werk Ultra Lithagon 28mm lens, the second ever 28mm lens made for SLR camera systems!

read more

Franka Solida II-R – Shooting a Classic 120 Folding Camera from 1959 

1920 1080 Cheyenne Morrison

Cheyenne reviews a high-quality, affordable, and classic medium format folding film camera, the Franka Solida II-R.

read more

Leica Elmarit-R 28mm F/2.8 Lens Review

2000 1125 James Tocchio

James reviews the Leica Elmarit-R 28mm F/2.8 wide-angle fast prime lens for Leica R mount and digital mirrorless cameras!

read more

Leitz Agfa Rondinax 35 Daylight Film Developing Tank Review

1800 1012 Nick Clayton

The Rondinax 35 Daylight Development Tank simplifies the process of processing film, allowing us to load and dev in the light!

read more

Leveling Up with a Linhof Technika 4×5 Film Camera

1800 1013 Drew Chambers

Drew explores the “level up cuture” of photography through his journey to (and then away from) large format photography with a Linhof 4×5 film camera.

read more

Voigtländer Vitessa 1000 SR Review – A Modernist Oddity

1800 1012 Nicholas Herrmann

The Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.

read more

Leica M8  Review – Like Shooting an Unending Roll of Kodachrome

1800 1012 Nick Clayton

We review Leica’s first digital rangefinder camera, the Leica M8, and see how this fourteen-year-old camera holds up today.

read more

Agfamatic 2008 Pocket Sensor 110 Camera Review featuring Lomography Film

1800 1013 Jeb Inge

Our man in Berlin, Jeb, shoots some Lomography 110 film through the Agfa Agfamatic 2008 Pocket Sensor, a compact 110 film camera.

read more

A Leica R6.2 Review – by Hamish Gill of 35mmc

2000 1333 Hamish Gill

Hamish Gill of 35mmc steps out of his rangefinder comfort zone and shoots the Leica R6.2. Here’s his review of this paradoxical SLR.

read more

Walter Voss Diax IIa – a Shooter’s Review of a Collector’s Camera

2800 1572 Josh Solomon

There’s an old saying in boxing – ”styles make fights.” The most entertaining boxing matches feature complementary styles, well-demonstrated in the slugger-on-slugger brawl of Gatti vs. Ward or the brains-vs-brawn bullfight that was Ali vs. Foreman. Conversely,…

read more

An Overview of the Hasselblad 500 Series (V System)

2400 1350 Aaron Stennett

With capability enabling it to span the globe and beyond, the Hasselblad 500 series is a special series of camera. As comfortable in the hands of elite fashion photographers as it is with astronauts on…

read more

The Contax G1 Takes on the World

2800 1575 Drew Chambers

From my first foray into modern film photography, I was confronted by the apparent supremacy of Leica and its M mount. But for some reason, the Leica bug has never seemed to bite me. To…

read more

Shooting Berlin with Lomography’s Berlin Kino 400 Black-and-White Film

2560 1689 Jeb Inge

The German language lost one of its best ambassadors when Bruno Ganz died earlier this year. The Swiss actor was a mainstay on both stage and screen, with more than a hundred credits to his…

read more

The Contax T2 – Searching for Value Amongst the Hype

2800 1575 Aaron Stennett

While many cameras have gone from unknown to idolized as a result of the film renaissance, the Contax T2 stands shoulders above the competition. In terms of the sheer hype it has received in the…

read more