Drew reviews the Konica Hexar RF, a 35mm film rangefinder camera that blends manual and automatic functions in an interesting way.
read moreDrew reviews the outrageously wide Voigtlander Ultra Wide-Heliar 12mm f/5.6 Aspherical III in Leica M mount!
read moreDrew explores the “level up cuture” of photography through his journey to (and then away from) large format photography with a Linhof 4×5 film camera.
read moreDrew reviews the Contax 167MT, a full-featured 35mm film SLR from the glory days of the Japanese-made Contax cameras.
read moreThe Contax NX was among the last ever Contax 35mm film cameras. In our multi-user review, Drew and James share their thoughts on this sleek SLR.
read moreWe’re back with a new monthly photo challenge, and this time we’ve invented an entirely new way to photo! You’ve heard of the photowalk. Meet the photostay.
read moreDrew’s first foray into medium format came by way of the Mamiya 645 1000s on the rocky New England shores of Midcoast Maine.
read moreDrew shoots, compares, and muses over Portra 400 VC and Portra 160 NC, two formerly-loved and famously dead films from Kodak.
read moreNegative Supply announces the Kickstarter for their Film Carrier MK 1, a new solution for scanning and digitizing film with your DSLR or mirror-less camera.
read moreFrom my first foray into modern film photography, I was confronted by the apparent supremacy of Leica and its M mount. But for some reason, the Leica bug has never seemed to bite me. To…
read moreAra Güler’s first published interview incited a riot. He’d taken his Graflex Speed Graphic, paired with a flash, to the Kumkapi ports of Istanbul under cover of the morning’s darkest early hours. On the waters…
read moreThe simplest, most cost-effective way to jazz up one’s film photography is to spring for a new film stock. Sure, you could seek a rare lens or a unique body, but nothing beats the ease…
read moreWe’ve talked about the Canon New Canonet 28’s faster relatives twice before; our reviews of the New Canonet QL17 and that camera’s successor, the Canonet G-III (QL) 17, both spoke in glowing terms. And rightly…
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