Clayton reviews the Sony E 16-55mm F/2.8 G, the most expensive E-mount Sony lens available, to determine if it’s worth the price.
read moreWe review the Contax G mount 28mm Biogon for the Contax G series rangefinder film cameras and adaptable mirrorless digital cameras.
read moreFew things in the vintage camera world are as universally reviled as old zoom lenses. They carry a reputation for being bulky, useless in low light, and criminally soft, especially when compared to legacy prime…
read moreToday we’re looking at a super-fast Nikon lens that no one really needs, yet many shooters covet. The Nikkor-N Auto 35mm F/1.4 from 1971 (along with its newer AI and AIs versions) is the fastest…
read moreWe’re back with another lens review, and this time we’re taking a look at a sleeper lens from Olympus. The OM-System Zuiko Auto-W 28mm F/2.8 doesn’t look like much on paper, but its fun-factor, price,…
read moreWe’re back with another noteworthy lens, and this one’s a real legend for Nikon photographers of a certain age. If you were shooting film during the 1960s or in any of the subsequent three decades,…
read moreThe Minolta MC Macro Rokkor QF 50mm F/3.5 is a truly versatile lens. It provides one of the easiest and most affordable ways to get into macro photography because it allows the user to shoot both easy…
read moreHere’s another installment in our Exploded Views feature. Last time we featured the Canon AE-1, and this week we’re showcasing something that’s admittedly simpler, less jaw-dropping, and easier on our bleeding fingertips. It’s Minolta’s MC…
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