In the era of ever-dwindling color film options, it’s nice to see new options emerging. Here’s one, Santacolor, a new film now crowdfunding.
read moreMinolta’s final pro-spec swan song is one of the most advanced SLRs ever made, and more than Connor needs in a camera.
read moreAs a collector of colorful FED rangefinders, Connor weighs the advantages of cost against the risks of unpredictable results.
read moreTwo years and four countries after he first shot it, Connor realizes that the Agfa Optima 1035 Sensor is his ideal everyday camera.
read moreConnor rescues and reviews a Zeiss Ikon Nettar, a medium format folding camera that had been destined for the parts bin.
read moreThe Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreConnor reviews the oddball Samsung ECX-1, a Porsche-designed point and shoot 35mm film camera from the mid-1990s.
read moreIt’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreConnor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.
read moreEquipped with a Kodak Retina and Ektar film, Connor explores the camera’s ancestral home of Rochester, New York, Kodak’s world headquarters.
read more