James examines the origin of the 50mm “standard lens” and why what we percieve as “standard” may be changing for the better.
read moreNikon’s ultra-wide rectilinear 15mm f/5.6 is a rare, wonderful, and (obviously) very wide lens that every Nikon fan should experience.
read moreJames reviews the Nikon Nikkor Z 20mm F/1.8 S, the newest ultra-wide prime lens for Nikon Z series cameras.
read moreSroyon reviews the Minolta MD 28mm F/2.8, a lens which doesn’t typically get much praise among classic lens lovers.
read moreCheyenne reviews the Enna-Werk Ultra Lithagon 28mm lens, the second ever 28mm lens made for SLR camera systems!
read moreDrew reviews the outrageously wide Voigtlander Ultra Wide-Heliar 12mm f/5.6 Aspherical III in Leica M mount!
read moreThe Kobalux Wide 28mm F/3.5 LTM lens is an uncommon and uncommonly tiny Japanese lens that harkens back to old-world quality at a reasonable price!
read moreJames shoots and reviews the Minolta MC Fisheye Rokkor X 7.5mm F/4, the widest lens that Minolta ever produced.
read moreJames spends six months with and then reviews an ultra wide angle lens for the Leica SLR system, the Leitz 21mm F/4 Super Angulon R.
read moreJames reviews the Fuji G617, a wide-field camera that exposes massive 6×17 centimeter images on medium format film!
read moreA little more than one year ago, while preparing to emigrate to Europe, I decided to put together a proper kit that could shoot nearly any type of photo. I settled on a Nikon F100…
read more“After a few weeks with a Pentax 50mm lens, I had the feeling of suffocating. I realized that I needed a wide angle. As soon as I had my Zeiss Flektogon, the world looked very…
read moreI realized with sudden terror that I’d been yanked away from everything I loved. My family, my cappuccino, the delicious key lime tart I’d been eating just moments before raising the camera to my eye,…
read moreWe review the Contax G mount 28mm Biogon for the Contax G series rangefinder film cameras and adaptable mirrorless digital cameras.
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